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<channel>
	<title>The Newsstand Project</title>
	<link>https://thenewsstandproject.net</link>
	<description>The Newsstand Project</description>
	<pubDate>Tue, 08 Dec 2020 19:57:34 +0000</pubDate>
	<generator>https://thenewsstandproject.net</generator>
	<language>en</language>
	
		
	<item>
		<title>HOME</title>
				
		<link>https://thenewsstandproject.net/HOME</link>

		<pubDate>Wed, 26 Dec 2018 19:08:30 +0000</pubDate>

		<dc:creator>The Newsstand Project</dc:creator>

		<guid isPermaLink="true">https://thenewsstandproject.net/HOME</guid>

		<description>&#60;img width="4492" height="489" width_o="4492" height_o="489" data-src="https://freight.cargo.site/t/original/i/15fc4ffdb4178bc84b6d44a9f9c8cf6c961772876881f837c60c86135012ac64/The-Newsstand-Project-Logo-01.png" data-mid="85727968" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/15fc4ffdb4178bc84b6d44a9f9c8cf6c961772876881f837c60c86135012ac64/The-Newsstand-Project-Logo-01.png" /&#62;
The Newsstand Project is a pop-up exhibition program founded with the aim of bolstering public exposure to emerging contemporary art. Initially as an attempt to repurpose the defunt space of a newsstand, we seek to partner with parallel projects, institutions, galleries and non specific art sites to host and stage exhibitions of contemporary art.


The project began at a much loved, now closed, newsstand that was located adjacent to Kings Road Cafe&#38;nbsp;at 8361 Beverly Boulevard, Los Angeles, CA. 90048






The projects physical location has ended there and continues as an itinerant project space.




The Newsstand Project is run with support from Stefan Simchowitz













&#38;nbsp;Past Exhibitions






Joey WolfSunset to Sunrise
December 12, 2020-----
Larissa LockshinIced Rowanberries

November 14, 2020-----Daniel T. Gaitor-LomackThe New Stand: Sketch of a Build
October 13, 2020-----
The Newsstand Project x Autre MagazineThe Edge of Chaos
August 22, 2020
-----

Nil Van Daf
Edouard NG and Laurent Lawson
New Targets
August 1, 2020-----
Adam D. Miller and Ryan Schneider
Calling All DestroyersJuly 11 - 25, 2020-----The Art Gorgeous x The Newsstand Project
Emma Stern
Slow FadeJune 11, 2020
Adjacent to Kings Road Cafe

-----
Aliso Editions x The Newsstand Project
Petra Cortright, Elizabeth Ibarra, and Susumu KamijoFebruary 13 - 17, 2020
Adjacent to Kings Road Cafe
-----

Michael Harnish
Recent WorkJanuary 27 - February 8, 2020Adjacent to Kings Road Cafe-----

Desire Rebecca Moheb-Zandi
Faraway Nearer
December 14, 2019 - January 11, 2020

Adjacent to Kings Road Cafe


-----

Elizabeth Ibarra
Perfect Timing

November 16 - December 13, 2019Adjacent to Kings Road Cafe


-----



Matthew ChambersBrian Lotti

A.M. ALEOctober 12 - November 2, 2019

Adjacent to Kings Road Cafe
-----
Ken Taylor

Paintings And

Inside The House on SunsetBirds Two
Adjacent to Kings Road Cafe
May 17 - June 28, 2019



-----Darren Goins
A Warm Screen
+ book launch of
 gaze stretching as far as there is to go 
and then it disappears
February 15 - March 23, 2019Inside The House on Sunset





-----


Matt Hope
Sleight of Hand

February 17 - March 23, 2019Adjacent to Kings Road Cafe


-----
Jasmine LittleInk and PotsJanuary 19 - February 8, 2019Adjacent to Kings Road Cafe

-----Desire Rebecca Moheb-Zandi
LandscapesJanuary 17, 2018 - February 8, 2019
Inside The House on Sunset



-----Jeffrey Alan Scudder
Radical Digital Painting : Los AngelesDecember 12, 2018 - January 15, 2019Inside The House on Sunset----------
Dominic Samsworth
Yard SaleNovember 17 - December 15, 2018
-----
Jonathan Edelhuber
Long Days Even Longer NightsOctober 28 - December 14, 2018
Adjacent to Kings Road Cafe
-----
Pippa Garner
A Brief SurveyOctober 19 - November 30, 2018*A special thank you to Erica Redling for her contributions
Inside The House on Sunset-----

Lazaros
Astral OraclesAugust 5 - September 16, 2018



Adjacent to Kings Road Cafe
-----
Tyler Macko
Deer Rug
October 6 - November 6, 2017
At Manchester &#38;amp; Hindry
-----
Jeffrey Alan Scudder
Imaginary Screenshots
May 13 - June 25, 2017
At Manchester &#38;amp; Hindry
-----
Darren Goins
Busy-Waiting
October 29 - November 23, 2016
At Manchester &#38;amp; Hindry
-----
Gretchen Andrew
Interior
June 11 - July 2, 2016
At Manchester &#38;amp; Hindry
-----
Annabelle Arlie
Des Caresses ou l’Art ou le Sphinx
March 24 - April 2, 2016
At Manchester &#38;amp; Hindry
-----
Apolonia Sokol
Process is Desire
January 30 - February 20, 2016
At Manchester &#38;amp; Hindry
-----
The Estate of Joel Mesler
The Kids Are Growing Up (A Tired Old Jew)
April 17 - May 22, 2015
At Manchester &#38;amp; Hindry
-----
Darren Goins

Tr🌋nodal Hos🌴

November 13 - December 7, 2014
</description>
		
	</item>
		
		
	<item>
		<title>THE NORTH HILL RESIDENCY</title>
				
		<link>https://thenewsstandproject.net/THE-NORTH-HILL-RESIDENCY</link>

		<pubDate>Tue, 10 Sep 2019 19:28:24 +0000</pubDate>

		<dc:creator>The Newsstand Project</dc:creator>

		<guid isPermaLink="true">https://thenewsstandproject.net/THE-NORTH-HILL-RESIDENCY</guid>

		<description>

Participating Artists









- 2020 -


&#60;img width="2396" height="2808" width_o="2396" height_o="2808" data-src="https://freight.cargo.site/t/original/i/6a006fbaca391f1f5e9c99056a844be6d03331d5d66b41b32da36c4b765ec88f/crop_L9A1591.jpg" data-mid="82438602" border="0"  src="https://freight.cargo.site/w/1000/i/6a006fbaca391f1f5e9c99056a844be6d03331d5d66b41b32da36c4b765ec88f/crop_L9A1591.jpg" /&#62; Julian PaceRodman
2020

Acrylic and oil on canvas 

&#60;img width="5000" height="5000" width_o="5000" height_o="5000" data-src="https://freight.cargo.site/t/original/i/21a289a581f276762a474c4cfcdb5d39514c91bd8ff7a2214d11b12056678ea9/Edwards--Jesse---JeE20.04.05---Psychological-Advice---Res300.jpg" data-mid="77502007" border="0"  src="https://freight.cargo.site/w/1000/i/21a289a581f276762a474c4cfcdb5d39514c91bd8ff7a2214d11b12056678ea9/Edwards--Jesse---JeE20.04.05---Psychological-Advice---Res300.jpg" /&#62; Jesse EdwardsPsychological Advice
2019

Glazed stoneware ceramic 

&#60;img width="5000" height="3956" width_o="5000" height_o="3956" data-src="https://freight.cargo.site/t/original/i/0b6444bd2f59b40a853110379e205c4b180dda231774ade5b4873fbc129d0057/Stern--Emma---ESt20.04.04---April---May---Res300.jpg" data-mid="77485443" border="0"  src="https://freight.cargo.site/w/1000/i/0b6444bd2f59b40a853110379e205c4b180dda231774ade5b4873fbc129d0057/Stern--Emma---ESt20.04.04---April---May---Res300.jpg" /&#62;&#38;nbsp;Emma SternApril + May
2020

Oil on canvas&#38;nbsp;
&#60;img width="4294" height="5000" width_o="4294" height_o="5000" data-src="https://freight.cargo.site/t/original/i/ac847969f47a91689b95859ab042043c26c6435621ac43d0d0cef5d26254e83b/Passaporte--Ricardo---RiP20.03.03---Poodle-with-red-background---Res300.jpg" data-mid="77491927" border="0"  src="https://freight.cargo.site/w/1000/i/ac847969f47a91689b95859ab042043c26c6435621ac43d0d0cef5d26254e83b/Passaporte--Ricardo---RiP20.03.03---Poodle-with-red-background---Res300.jpg" /&#62;Ricardo PassaportePoodle with red background
2020

Acrylic and spray paint on canvas &#60;img width="4070" height="5000" width_o="4070" height_o="5000" data-src="https://freight.cargo.site/t/original/i/b923f58352faa4c92ff3a006f16cce743bf38de9fd73781f30b30d02dbb04df5/Bozo--Szabolcs---SB020.03.07---TBT-51.5x64x2---Res300.jpg" data-mid="77491932" border="0"  src="https://freight.cargo.site/w/1000/i/b923f58352faa4c92ff3a006f16cce743bf38de9fd73781f30b30d02dbb04df5/Bozo--Szabolcs---SB020.03.07---TBT-51.5x64x2---Res300.jpg" /&#62;Szabolcs BozóVoodoo Child - LA 06
2020

Acrylic on canvas in artist’s frame


- 2019 -




&#60;img width="2822" height="3500" width_o="2822" height_o="3500" data-src="https://freight.cargo.site/t/original/i/2db7218da6849cfdf867f2cdd53a04944ef233cce3f7c7e22b1770be58500ad8/Lotti--Brian---BrL19.08.05---Court-5---Res300-Framed.jpg" data-mid="52414353" border="0"  src="https://freight.cargo.site/w/1000/i/2db7218da6849cfdf867f2cdd53a04944ef233cce3f7c7e22b1770be58500ad8/Lotti--Brian---BrL19.08.05---Court-5---Res300-Framed.jpg" /&#62;
Brian Lotti


Court 5

2019

Oil paint on Stonehenge paper




&#60;img width="1204" height="1500" width_o="1204" height_o="1500" data-src="https://freight.cargo.site/t/original/i/763f617b9962453d2cce8f34930ab3cfe140dab94005bcaf28cad09d303dfafd/Depass--Nicholas-H---NHD18.08.01---electric_boxcar_05---Res300.jpg" data-mid="53285294" border="0"  src="https://freight.cargo.site/w/1000/i/763f617b9962453d2cce8f34930ab3cfe140dab94005bcaf28cad09d303dfafd/Depass--Nicholas-H---NHD18.08.01---electric_boxcar_05---Res300.jpg" /&#62;
NH Depass

electric_boxcar_05

2018


Ink and marker
&#60;img width="1232" height="1500" width_o="1232" height_o="1500" data-src="https://freight.cargo.site/t/original/i/044a9c70058889b61d25f6fcbb3af4accd36af449d5c799316d1dd2418f15352/Benjamin--Heather---HB19.08.13---Don-t-Follow-Me-I-m-Lost-Too---Res300framed.jpg" data-mid="53285281" border="0"  src="https://freight.cargo.site/w/1000/i/044a9c70058889b61d25f6fcbb3af4accd36af449d5c799316d1dd2418f15352/Benjamin--Heather---HB19.08.13---Don-t-Follow-Me-I-m-Lost-Too---Res300framed.jpg" /&#62;

Heather Benjamin

Don’t Follow Me I’m Lost Too

2019

Gouache and acrylic on paper


&#60;img width="1500" height="629" width_o="1500" height_o="629" data-src="https://freight.cargo.site/t/original/i/9305838385718784a4959af2b40b85f80739b09e5354d1a7e831941c179b6637/McCoy---Shaina---SMc19.08.01---Bread-and-Butter-diptych---Res300.jpg" data-mid="53285421" border="0"  src="https://freight.cargo.site/w/1000/i/9305838385718784a4959af2b40b85f80739b09e5354d1a7e831941c179b6637/McCoy---Shaina---SMc19.08.01---Bread-and-Butter-diptych---Res300.jpg" /&#62;
Shaina McCoy

Bread and Butter (diptych)

2019


Oil on canvas






&#60;img width="866" height="1500" width_o="866" height_o="1500" data-src="https://freight.cargo.site/t/original/i/272791af3fd654e8be71a4cf1c04af2641b4e0fdcd4d191eca59a7e0841fbe64/Macko--Tyler---TMac19.09.02---Match---Res300-Framed.jpg" data-mid="53285303" border="0"  src="https://freight.cargo.site/w/866/i/272791af3fd654e8be71a4cf1c04af2641b4e0fdcd4d191eca59a7e0841fbe64/Macko--Tyler---TMac19.09.02---Match---Res300-Framed.jpg" /&#62;

Tyler Macko

Match

2019

Fabric, plaster, oil, cardboard, and plywood 
in artist’s frame


&#60;img width="1500" height="1257" width_o="1500" height_o="1257" data-src="https://freight.cargo.site/t/original/i/6b03e881816a5307552d145d7a45aa253c6b8fd67cbc264b569ec6addd3444e4/Little--Jasmine---JLi19.03.23---Studio-Corner---Res300.jpg" data-mid="53285476" border="0"  src="https://freight.cargo.site/w/1000/i/6b03e881816a5307552d145d7a45aa253c6b8fd67cbc264b569ec6addd3444e4/Little--Jasmine---JLi19.03.23---Studio-Corner---Res300.jpg" /&#62;
Jasmine Little

Studio Corner


2019


Oil on canvas


- 2018 -



&#60;img width="3071" height="3500" width_o="3071" height_o="3500" data-src="https://freight.cargo.site/t/original/i/da526559709781195f0c2e5cb42eef18b9d79a057d0f80376a686873595e4248/Taylor--Ken---KeT19.08.01---Hombre-Sombrero---Res300.jpg" data-mid="52415117" border="0"  src="https://freight.cargo.site/w/1000/i/da526559709781195f0c2e5cb42eef18b9d79a057d0f80376a686873595e4248/Taylor--Ken---KeT19.08.01---Hombre-Sombrero---Res300.jpg" /&#62;
Ken Taylor

Hombre Sombrero


2019


Oil on canvas







&#60;img width="1500" height="1031" width_o="1500" height_o="1031" data-src="https://freight.cargo.site/t/original/i/913b53d866362ce799d76f3f0cf58aa9a1963f52362954f61b42f35073ab2652/Samsworth--Dominic---DS18.12a.01---Capri-II---Res300.jpg" data-mid="53285434" border="0"  src="https://freight.cargo.site/w/1000/i/913b53d866362ce799d76f3f0cf58aa9a1963f52362954f61b42f35073ab2652/Samsworth--Dominic---DS18.12a.01---Capri-II---Res300.jpg" /&#62;
Dominic Samsworth

Capri II


2018


Urethane and alkyd on canvas on wooden panel


&#60;img width="1028" height="1500" width_o="1028" height_o="1500" data-src="https://freight.cargo.site/t/original/i/9c1fff6ab8b0ec4f6a6a4b9b8e04aec04b45ab262058ef0542c03edab6b6dfbd/Pascal--Irvin---IPa19.07.03---To-inquire-in-the-sky---Res300framed.jpg" data-mid="53286185" border="0"  src="https://freight.cargo.site/w/1000/i/9c1fff6ab8b0ec4f6a6a4b9b8e04aec04b45ab262058ef0542c03edab6b6dfbd/Pascal--Irvin---IPa19.07.03---To-inquire-in-the-sky---Res300framed.jpg" /&#62;


Irvin Pascal

To inquire in the sky


2019

Oil pastel, gouache, acrylic, and amalgamated media 
on cotton paper</description>
		
	</item>
		
		
	<item>
		<title>JOEY WOLF</title>
				
		<link>https://thenewsstandproject.net/JOEY-WOLF</link>

		<pubDate>Tue, 08 Dec 2020 19:57:34 +0000</pubDate>

		<dc:creator>The Newsstand Project</dc:creator>

		<guid isPermaLink="true">https://thenewsstandproject.net/JOEY-WOLF</guid>

		<description>

BACK

 





Joey WolfSunset to Sunrise
December 12, 2020&#60;img width="3999" height="5000" width_o="3999" height_o="5000" data-src="https://freight.cargo.site/t/original/i/75e4bb6151e7d409759f5101e4a2568dc9ac35e5c8d287412620c13907c73005/Wolf--Joey---JoW20.07.15---LA---Res300---1.jpg" data-mid="91470508" border="0"  src="https://freight.cargo.site/w/1000/i/75e4bb6151e7d409759f5101e4a2568dc9ac35e5c8d287412620c13907c73005/Wolf--Joey---JoW20.07.15---LA---Res300---1.jpg" /&#62;&#60;img width="3500" height="2625" width_o="3500" height_o="2625" data-src="https://freight.cargo.site/t/original/i/bf3bf5f23dac23273e9cc9ab6d5664e6a082acdb0325b629f381a6830aed03b7/P0023020.jpg" data-mid="92280956" border="0"  src="https://freight.cargo.site/w/1000/i/bf3bf5f23dac23273e9cc9ab6d5664e6a082acdb0325b629f381a6830aed03b7/P0023020.jpg" /&#62;
&#60;img width="3500" height="2625" width_o="3500" height_o="2625" data-src="https://freight.cargo.site/t/original/i/ea7e31ebad8ad59ddbe30a24227eeb0577dc0c0e85f6f4852eb866df17d99723/P0023029.jpg" data-mid="92280983" border="0"  src="https://freight.cargo.site/w/1000/i/ea7e31ebad8ad59ddbe30a24227eeb0577dc0c0e85f6f4852eb866df17d99723/P0023029.jpg" /&#62;&#60;img width="3500" height="2625" width_o="3500" height_o="2625" data-src="https://freight.cargo.site/t/original/i/0c01f24902a5efc42262cd22627c91e579a5564e9af35435d015217fb62cf8b5/P0023023.jpg" data-mid="92280961" border="0"  src="https://freight.cargo.site/w/1000/i/0c01f24902a5efc42262cd22627c91e579a5564e9af35435d015217fb62cf8b5/P0023023.jpg" /&#62;&#60;img width="3500" height="2625" width_o="3500" height_o="2625" data-src="https://freight.cargo.site/t/original/i/27861eccb2516936c868fe78d4f3b77609b142422ee012e7fad1d9f9b1fab402/P0023036.jpg" data-mid="92280989" border="0"  src="https://freight.cargo.site/w/1000/i/27861eccb2516936c868fe78d4f3b77609b142422ee012e7fad1d9f9b1fab402/P0023036.jpg" /&#62;&#60;img width="3500" height="2625" width_o="3500" height_o="2625" data-src="https://freight.cargo.site/t/original/i/c111e60818f2e78eca6669a3d5b92798dfc6cb71758d43db4471f90ee0cdfba3/P0023027.jpg" data-mid="92280966" border="0"  src="https://freight.cargo.site/w/1000/i/c111e60818f2e78eca6669a3d5b92798dfc6cb71758d43db4471f90ee0cdfba3/P0023027.jpg" /&#62;&#60;img width="3500" height="2625" width_o="3500" height_o="2625" data-src="https://freight.cargo.site/t/original/i/b0e24330262695a48108d012dfd2dc3b59999dd956233f93e8849ceacf5d54a0/P0023037.jpg" data-mid="92281012" border="0"  src="https://freight.cargo.site/w/1000/i/b0e24330262695a48108d012dfd2dc3b59999dd956233f93e8849ceacf5d54a0/P0023037.jpg" /&#62;&#60;img width="5000" height="4028" width_o="5000" height_o="4028" data-src="https://freight.cargo.site/t/original/i/0c6596fe8a11d78ab4c46bff944a245abf4c06e8c2f32b457d6e0736f200605d/Wolf--Joey---JoW20.11.01---LA-at-Sunset---Res300.jpg" data-mid="92282457" border="0"  src="https://freight.cargo.site/w/1000/i/0c6596fe8a11d78ab4c46bff944a245abf4c06e8c2f32b457d6e0736f200605d/Wolf--Joey---JoW20.11.01---LA-at-Sunset---Res300.jpg" /&#62;&#60;img width="3730" height="5000" width_o="3730" height_o="5000" data-src="https://freight.cargo.site/t/original/i/4984853faf1a7d95ed6766a9979d94e09d6fc70ae87b9941857efc21af40ba5d/Wolf--Joey---JoW20.07.19---Route-66---Res300---1.jpg" data-mid="92282614" border="0"  src="https://freight.cargo.site/w/1000/i/4984853faf1a7d95ed6766a9979d94e09d6fc70ae87b9941857efc21af40ba5d/Wolf--Joey---JoW20.07.19---Route-66---Res300---1.jpg" /&#62;






	
		
		
	
	
		
			
				
					In his new body of work, Joey Wolf unifies color, contrast, texture and depth to transform oil paint into glowing neon signs that resonate with chill SoCal
vibes. After meticulously shading and highlighting his background paintings,
Wolf deftly pipes out tubular lines of bright light without actually using any
neon pigment. The resulting trompe l’oeil imagery pulsates with the essential
millennial aesthetic, as much as Drake’s James Turrell-influenced “Hotline
Bling” music video does, and countless LED-drenched TikTok bedrooms.
This distinctly California-influenced aesthetic has made its way around the
world thanks to the Internet, with images of palm trees, avocados and weed
populating retail spaces and Instagram feeds from Stockholm to Seoul. It feels
natural that Wolf, a Southern California native, would embrace these icons.

					
But while the popularized aesthetic is awash in pale pinks and golds, the reality
of neon signs in the visual vernacular of Los Angeles, and in Wolf’s employ, is
more nuanced: neon lights illuminate diners and bars, bowling alleys and strip
clubs throughout the darker hours of the night. Just as these landmarks of the
city cut straight to the point — GIRLS GIRLS GIRLS, Ice Cold Beer — so do
Wolf’s paintings, which forego subtext in favor of electric directness sprawled
across desaturated auras.

				
			
		
	

As with his figurative paintings, Wolf can’t help but retain a spirit of incandescence, which in the neons is exemplified by his
carefully crafted backgrounds. Wolf develops the foundation for the neon paintings in subtle hues to eectively balance the
pinks and greens that create his fluorescent glow. As ever, Wolf’s sophisticated technical ability is unified seamlessly with
his selected imagery, which feels personal, classical, and profoundly contemporary.

				
			
		
	



	
		
		
	
	
		
			
				
					
Joey Wolf&#38;nbsp;(b. 1987, Newport Beach, CA) juxtaposes historical European painting techniques and composition with
twenty-first century tableaus in his meticulous renderings of candid social scenes and contemporary iconography.
The imagery in Wolf’s paintings is labored and rich, with large layered and textured surfaces constructed with sculp-
tural physicality. Acting as classically rendered glimpses of contemporary life, Wolf elevates these visual instances to
a grand painterly scale. Expansive, virtuosically produced, and revealingly narrative, Wolf’s paintings fuse flawless skill
with content-rich pop imagery.

				
			
		
	


				
			
		
	
 

	

</description>
		
	</item>
		
		
	<item>
		<title>LARISSA LOCKSHIN</title>
				
		<link>https://thenewsstandproject.net/LARISSA-LOCKSHIN</link>

		<pubDate>Fri, 16 Oct 2020 19:47:18 +0000</pubDate>

		<dc:creator>The Newsstand Project</dc:creator>

		<guid isPermaLink="true">https://thenewsstandproject.net/LARISSA-LOCKSHIN</guid>

		<description>

BACK

 





Larissa Lockshin
Iced Rowanberries

November 14, 2020&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/f5a617bc5189113730e95da8e8fb3e65f0aea3f33d23190f0760beff8ae62551/The-Newsstand-Project---Larissa-Lockshin-1.jpg" data-mid="90668025" border="0"  src="https://freight.cargo.site/w/1000/i/f5a617bc5189113730e95da8e8fb3e65f0aea3f33d23190f0760beff8ae62551/The-Newsstand-Project---Larissa-Lockshin-1.jpg" /&#62;&#60;img width="1280" height="960" width_o="1280" height_o="960" data-src="https://freight.cargo.site/t/original/i/205e0763f8ead3bacdb4393312bafbc9b740a3fa285c815e5a1c57a92a1aec53/The-Newsstand-Project---Larissa-Lockshin-7.jpg" data-mid="90667950" border="0"  src="https://freight.cargo.site/w/1000/i/205e0763f8ead3bacdb4393312bafbc9b740a3fa285c815e5a1c57a92a1aec53/The-Newsstand-Project---Larissa-Lockshin-7.jpg" /&#62;&#60;img width="14067" height="10549" width_o="14067" height_o="10549" data-src="https://freight.cargo.site/t/original/i/c214d2ae63b567210113a645ffe8018960cab440cb8245dd9c1ab78315a434e7/The-Newsstand-Project---Larissa-Lockshin-5.jpg" data-mid="90667722" border="0"  src="https://freight.cargo.site/w/1000/i/c214d2ae63b567210113a645ffe8018960cab440cb8245dd9c1ab78315a434e7/The-Newsstand-Project---Larissa-Lockshin-5.jpg" /&#62;&#60;img width="13829" height="10371" width_o="13829" height_o="10371" data-src="https://freight.cargo.site/t/original/i/3248d27447075abc0be090cb4f944838a9b7d11bf0c891fcd57c9123f4736d86/The-Newsstand-Project---Larissa-Lockshin-4.jpg" data-mid="90667898" border="0"  src="https://freight.cargo.site/w/1000/i/3248d27447075abc0be090cb4f944838a9b7d11bf0c891fcd57c9123f4736d86/The-Newsstand-Project---Larissa-Lockshin-4.jpg" /&#62;&#60;img width="5000" height="2338" width_o="5000" height_o="2338" data-src="https://freight.cargo.site/t/original/i/79b93c9e7da24e3bfc61b114f968dbe6de2ada2f7f97256ca676f0ec3902bab7/Lockshin--Larissa---LL20.09.01---Dancers-Intermission---Res300-2.jpg" data-mid="90668076" border="0"  src="https://freight.cargo.site/w/1000/i/79b93c9e7da24e3bfc61b114f968dbe6de2ada2f7f97256ca676f0ec3902bab7/Lockshin--Larissa---LL20.09.01---Dancers-Intermission---Res300-2.jpg" /&#62;&#60;img width="3000" height="3689" width_o="3000" height_o="3689" data-src="https://freight.cargo.site/t/original/i/1c5d2a95e689e955e005e5f1c24e656a62f491bbd475bcfe6cea0397a3ca94ff/Lockshin--Larissa---LL20.09.02---Untitled-Desert-Orchid---Res300-2.jpg" data-mid="87970820" border="0"  src="https://freight.cargo.site/w/1000/i/1c5d2a95e689e955e005e5f1c24e656a62f491bbd475bcfe6cea0397a3ca94ff/Lockshin--Larissa---LL20.09.02---Untitled-Desert-Orchid---Res300-2.jpg" /&#62;&#60;img width="4069" height="5000" width_o="4069" height_o="5000" data-src="https://freight.cargo.site/t/original/i/bee53f8d23ff6248f192cf01e65a9217cdf36064bf6848c0b166b1b93cb78fa5/Lockshin--Larissa---LL20.09a.01---TBT---Res300-2.jpg" data-mid="90668079" border="0"  src="https://freight.cargo.site/w/1000/i/bee53f8d23ff6248f192cf01e65a9217cdf36064bf6848c0b166b1b93cb78fa5/Lockshin--Larissa---LL20.09a.01---TBT---Res300-2.jpg" /&#62;




And as I was digging I felt it fall into my mouth,
An emerald,
Faceted, heavy in its silver shell
As if fallen from the necklace of a woman far above me.

Tired fingers grasp the object but not its meaning;
Just because it's raining jewels 
Doesn’t mean you should put away your umbrella.


Larissa Lockshin is a Canadian born artist based in New York City. Her recent solo exhibitions include “Elephant
Heart”, Y2K Group, New York, NY (2019), “Odette”, Melanie Flood Projects, Portland, OR (2019), “Bad Dream
House” at the American Institute of Thoughts and Feelings, Tucson (2018), “Far Side of the Valley”, Albert Baronian,
Brussels (2015) and “Close But No Cigar”, Johannes Vogt Gallery, New York (2015). She is represented by Galerie
Baronian/Xippas in Brussels and Galeria Pelaires in Majorca.

				
			
		
	
 

	

</description>
		
	</item>
		
		
	<item>
		<title>DANIEL T. GAITOR-LOMACK</title>
				
		<link>https://thenewsstandproject.net/DANIEL-T-GAITOR-LOMACK</link>

		<pubDate>Thu, 15 Oct 2020 23:46:37 +0000</pubDate>

		<dc:creator>The Newsstand Project</dc:creator>

		<guid isPermaLink="true">https://thenewsstandproject.net/DANIEL-T-GAITOR-LOMACK</guid>

		<description>

BACK

 





Daniel T. Gaitor-Lomack
The New Stand: Sketch of a Build

October 13, 2020




On October 13, 2020 Daniel T. Gaitor-Lomack&#38;nbsp; stopped by the North Hill Residency and, seeing the bones of our future exhibition space, he was moved to devise this impromptu performance.&#38;nbsp;


Daniel T. Gaitor-Lomack is currently a fellow of NXTHVN. His practice centers on the indeterminate quality of experience and conveys personal history as well as mediation on a pervasive existential narrative. Gaitor-Lomack envisions himself as a channel through which his audience can experience shifting expectations of time and perspective. 



 

	



</description>
		
	</item>
		
		
	<item>
		<title>GROUP SHOW - THE EDGE OF CHAOS</title>
				
		<link>https://thenewsstandproject.net/GROUP-SHOW-THE-EDGE-OF-CHAOS</link>

		<pubDate>Fri, 21 Aug 2020 15:58:14 +0000</pubDate>

		<dc:creator>The Newsstand Project</dc:creator>

		<guid isPermaLink="true">https://thenewsstandproject.net/GROUP-SHOW-THE-EDGE-OF-CHAOS</guid>

		<description>

BACK

 







The Newsstand Project x Autre Magazine
The Edge of ChaosAugust 22, 20203:30-5:30pm




-----
&#60;img width="3500" height="2625" width_o="3500" height_o="2625" data-src="https://freight.cargo.site/t/original/i/ea5e865e64991442ab086b5b261d160356d0aedd0f0c51b180f5c251843ff2fb/P0021262.jpg" data-mid="85730247" border="0"  src="https://freight.cargo.site/w/1000/i/ea5e865e64991442ab086b5b261d160356d0aedd0f0c51b180f5c251843ff2fb/P0021262.jpg" /&#62;


&#60;img width="3500" height="2625" width_o="3500" height_o="2625" data-src="https://freight.cargo.site/t/original/i/5015ab805e22839d84ef48557ee19aa41c3ed1febb82fc7b02fb538762751ff9/P0021265.jpg" data-mid="85730268" border="0"  src="https://freight.cargo.site/w/1000/i/5015ab805e22839d84ef48557ee19aa41c3ed1febb82fc7b02fb538762751ff9/P0021265.jpg" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/03dc40b5846cbfd86bf3e43857d9002c21db7b425053558f49ce6cebcf9adff1/IMG_0930.jpg" data-mid="85730273" border="0"  src="https://freight.cargo.site/w/1000/i/03dc40b5846cbfd86bf3e43857d9002c21db7b425053558f49ce6cebcf9adff1/IMG_0930.jpg" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/fb861af031a36621ebdaff70dc64525bd47258d49566038299d5cddf95ffcc31/IMG_0934.jpg" data-mid="85730281" border="0"  src="https://freight.cargo.site/w/1000/i/fb861af031a36621ebdaff70dc64525bd47258d49566038299d5cddf95ffcc31/IMG_0934.jpg" /&#62;
&#60;img width="5000" height="3592" width_o="5000" height_o="3592" data-src="https://freight.cargo.site/t/original/i/44c6b3463bb3f8adf8fe3e1a8cbc794c3856c5661d93006555fc2d16450b9a45/Bohm--TJ---TJB19.11.011---S---Res300.jpg" data-mid="80505033" border="0"  src="https://freight.cargo.site/w/1000/i/44c6b3463bb3f8adf8fe3e1a8cbc794c3856c5661d93006555fc2d16450b9a45/Bohm--TJ---TJB19.11.011---S---Res300.jpg" /&#62;
&#60;img width="4003" height="5000" width_o="4003" height_o="5000" data-src="https://freight.cargo.site/t/original/i/a69da03fe25803aaa4a6702eaee856335ea2c71e80e8cc9192f01db8155d0067/Bowsher--Elana---EBo19.06.05---Abstract--5-Floral-view-1-of-4---Res300.jpg" data-mid="80505035" border="0"  src="https://freight.cargo.site/w/1000/i/a69da03fe25803aaa4a6702eaee856335ea2c71e80e8cc9192f01db8155d0067/Bowsher--Elana---EBo19.06.05---Abstract--5-Floral-view-1-of-4---Res300.jpg" /&#62;&#60;img width="3000" height="2820" width_o="3000" height_o="2820" data-src="https://freight.cargo.site/t/original/i/95fb5f0b0909ad620a6fe82f40258e7557e390dbd06015ab135cbf6704551bc2/Edwards--Jesse---JeE19.05.78---Every-Day-is-Like-Sunday---Res240.jpg" data-mid="80505036" border="0"  src="https://freight.cargo.site/w/1000/i/95fb5f0b0909ad620a6fe82f40258e7557e390dbd06015ab135cbf6704551bc2/Edwards--Jesse---JeE19.05.78---Every-Day-is-Like-Sunday---Res240.jpg" /&#62;&#60;img width="5000" height="3750" width_o="5000" height_o="3750" data-src="https://freight.cargo.site/t/original/i/89e291034c97ab0e6b69bf163d19aca34de5265d43c8c9a6406c1029f72d6450/Joe--Paa---PaJ19.10.01---Lion-view-5-of-9---Res300.jpg" data-mid="80505038" border="0"  src="https://freight.cargo.site/w/1000/i/89e291034c97ab0e6b69bf163d19aca34de5265d43c8c9a6406c1029f72d6450/Joe--Paa---PaJ19.10.01---Lion-view-5-of-9---Res300.jpg" /&#62;



&#60;img width="5000" height="3828" width_o="5000" height_o="3828" data-src="https://freight.cargo.site/t/original/i/7f5e23b18fc9c0016ba8622e3b2c74652df8dd7da9b62f8460b176710a962667/Kakudji--Pharaoh---PhK20.07.04---Tourist-view-1-of-2---Res300.jpg" data-mid="80505238" border="0"  src="https://freight.cargo.site/w/1000/i/7f5e23b18fc9c0016ba8622e3b2c74652df8dd7da9b62f8460b176710a962667/Kakudji--Pharaoh---PhK20.07.04---Tourist-view-1-of-2---Res300.jpg" /&#62;&#60;img width="1500" height="1806" width_o="1500" height_o="1806" data-src="https://freight.cargo.site/t/original/i/23711c5bb306c8f2c0a0d5b2a28ebf8954cb84bc76187d45b4cc203c62a58e94/Lockshin--Larissa---LL19.10.03---Untitled-Young-Dancer---Res72.jpg" data-mid="80505242" border="0"  src="https://freight.cargo.site/w/1000/i/23711c5bb306c8f2c0a0d5b2a28ebf8954cb84bc76187d45b4cc203c62a58e94/Lockshin--Larissa---LL19.10.03---Untitled-Young-Dancer---Res72.jpg" /&#62;&#60;img width="1257" height="1500" width_o="1257" height_o="1500" data-src="https://freight.cargo.site/t/original/i/f9135ea4c2e74849c074e5f0fa85fd0dcfcd73fd89725a4144b9cc0147fa063e/Macko--Tyler---TMac19.05a.11---Little-Chest--3---Res300framed.jpg" data-mid="80505283" border="0"  src="https://freight.cargo.site/w/1000/i/f9135ea4c2e74849c074e5f0fa85fd0dcfcd73fd89725a4144b9cc0147fa063e/Macko--Tyler---TMac19.05a.11---Little-Chest--3---Res300framed.jpg" /&#62;&#60;img width="4059" height="5000" width_o="4059" height_o="5000" data-src="https://freight.cargo.site/t/original/i/7eb34a3cb147eee4c18b15439c5a0b90d7889bdc91757b0211af3e3f29df2a8b/Piko--Iabadiou---IaP19.08.036---Untitled---Res300Framed.jpg" data-mid="80505285" border="0"  src="https://freight.cargo.site/w/1000/i/7eb34a3cb147eee4c18b15439c5a0b90d7889bdc91757b0211af3e3f29df2a8b/Piko--Iabadiou---IaP19.08.036---Untitled---Res300Framed.jpg" /&#62;&#60;img width="3751" height="5000" width_o="3751" height_o="5000" data-src="https://freight.cargo.site/t/original/i/7d0156175ceb3c3f92ce48358fcaa2a823150230902ce631a7c99bc51a6dc718/Platter--Cameron---TBI_CP006---Untitled---Res300.jpg" data-mid="80505320" border="0"  src="https://freight.cargo.site/w/1000/i/7d0156175ceb3c3f92ce48358fcaa2a823150230902ce631a7c99bc51a6dc718/Platter--Cameron---TBI_CP006---Untitled---Res300.jpg" /&#62;&#60;img width="5000" height="4381" width_o="5000" height_o="4381" data-src="https://freight.cargo.site/t/original/i/9d73ffab9c762c543bd231f1501ef03a5bebea4be30c1e533da21f435e64b540/Swaney--Michael---MSw20.03.18---Dior--Benetton--Ralph-Lauren--Fenty---Res300.jpg" data-mid="80505343" border="0"  src="https://freight.cargo.site/w/1000/i/9d73ffab9c762c543bd231f1501ef03a5bebea4be30c1e533da21f435e64b540/Swaney--Michael---MSw20.03.18---Dior--Benetton--Ralph-Lauren--Fenty---Res300.jpg" /&#62;&#60;img width="4082" height="5000" width_o="4082" height_o="5000" data-src="https://freight.cargo.site/t/original/i/239d2006ccf4b2ed7e9b44c61332e99c05429891a51794856a4272eccec7f3f6/Taylor--Ken---KeT19.10a.08---Pl4ntbas3d-Poster-1---Res300framed.jpg" data-mid="80505345" border="0"  src="https://freight.cargo.site/w/1000/i/239d2006ccf4b2ed7e9b44c61332e99c05429891a51794856a4272eccec7f3f6/Taylor--Ken---KeT19.10a.08---Pl4ntbas3d-Poster-1---Res300framed.jpg" /&#62;&#60;img width="3796" height="5000" width_o="3796" height_o="5000" data-src="https://freight.cargo.site/t/original/i/1f6f2050cf6602f4b57fe7c9e6c1dbb013e417e5fe2b54ce94d0b1a5abb9c2e2/Walton--Nina---NiW18.03.14---Small-Squares-orange---Res-300-Framed.jpg" data-mid="80505348" border="0"  src="https://freight.cargo.site/w/1000/i/1f6f2050cf6602f4b57fe7c9e6c1dbb013e417e5fe2b54ce94d0b1a5abb9c2e2/Walton--Nina---NiW18.03.14---Small-Squares-orange---Res-300-Framed.jpg" /&#62;&#60;img width="4646" height="5000" width_o="4646" height_o="5000" data-src="https://freight.cargo.site/t/original/i/b7773a32fdc84d2acb7f791ff26bddecb043389cece6eb5ce3bf93fcf33916e2/Wilson--Joseph-Olisaemeka---JoWi20.06a.02---Idol-figure-ram---Res300.jpg" data-mid="80505355" border="0"  src="https://freight.cargo.site/w/1000/i/b7773a32fdc84d2acb7f791ff26bddecb043389cece6eb5ce3bf93fcf33916e2/Wilson--Joseph-Olisaemeka---JoWi20.06a.02---Idol-figure-ram---Res300.jpg" /&#62;&#60;img width="5000" height="5000" width_o="5000" height_o="5000" data-src="https://freight.cargo.site/t/original/i/695951ed08bff8ffbb62ac1fb723f35b400be76bb63f2f0f0c2b30b4fac25990/Wolf--Joey---JoW20.07.20---Sunset-on-purple-waves---Res300.jpg" data-mid="80505356" border="0"  src="https://freight.cargo.site/w/1000/i/695951ed08bff8ffbb62ac1fb723f35b400be76bb63f2f0f0c2b30b4fac25990/Wolf--Joey---JoW20.07.20---Sunset-on-purple-waves---Res300.jpg" /&#62;





AUTRE ISSUE 10 “THE EDGE OF CHAOS” S/S 2020:



Welcome to the edge of chaos issue. At its inception, we were unknowingly at the brink of a worldwide viral pandemic. Little did we know how close to the edge we really were. From the neurological, to the astrological, to the gastronomical, this issue is a creative journey before and after the world changed forever.

The issue features Doug Aitken And Catherine Opie in conversation with Dr. Robert Bilder on The Neuroscience Of Creativity, Arthur Jafa and Isabelle Albuquerque, Carsten Höller and Spiral Theory Test Kitchen, Raymond Pettibon and Aaron Wrinkle, Brad Phillips and Petra Cortright On Sports, Astrophysicist Heino Falcke on Black Holes, Omer Arbel and Kulapat Yantrasast discuss Biological Concrete, 40 Years Of l.a.Eyeworks, A Quarantine Diary by Sasha Frolova, a conversation with photographer Brian Griffin.
-----

PRESS RELEASE:


	
		
		
	
	
		
			
				
					
The Newsstand Project is pleased to present The
Edge of Chaos, a group show in collaboration with
AUTRE magazine. A public opening will be held on
Saturday, August 22nd from 3:30-5:30pm.

					
The exhibition features recent work by

TJ BohmElana BowsherJesse Edwards

					Piko Iabadiou

Paa Joe

Pharaoh&#38;nbsp;
Kakudji

Larissa Lockshin

Tyler Macko

Cameron Platter

Michael Swaney

Ken Taylor
Nina WaltonJoseph Olisemeka Wilson

Joey Wolf
</description>
		
	</item>
		
		
	<item>
		<title>NIL VAN DAF</title>
				
		<link>https://thenewsstandproject.net/NIL-VAN-DAF</link>

		<pubDate>Wed, 29 Jul 2020 23:12:13 +0000</pubDate>

		<dc:creator>The Newsstand Project</dc:creator>

		<guid isPermaLink="true">https://thenewsstandproject.net/NIL-VAN-DAF</guid>

		<description>

BACK

 







Nil Van Daf
Edouard NG and Laurent Lawson
New Targets
August 1, 2020




-----



&#60;img width="5754" height="3840" width_o="5754" height_o="3840" data-src="https://freight.cargo.site/t/original/i/fe5e64ac59d66e1022a57e333928cdcdefa7aa5a0daba0a685b7789347a6a0a9/L1110659.jpg" data-mid="79021790" border="0"  src="https://freight.cargo.site/w/1000/i/fe5e64ac59d66e1022a57e333928cdcdefa7aa5a0daba0a685b7789347a6a0a9/L1110659.jpg" /&#62;&#60;img width="5858" height="3909" width_o="5858" height_o="3909" data-src="https://freight.cargo.site/t/original/i/ef1ded97f074ac3a39fc23fb8603895bd65a659caf32b09be392e9e19ac8ae07/L1110629.jpg" data-mid="79021792" border="0"  src="https://freight.cargo.site/w/1000/i/ef1ded97f074ac3a39fc23fb8603895bd65a659caf32b09be392e9e19ac8ae07/L1110629.jpg" /&#62;&#60;img width="5858" height="3909" width_o="5858" height_o="3909" data-src="https://freight.cargo.site/t/original/i/094c76af6e1c9757382f5f774b261f5f36a1b882a91f3191d19b90fce0b9f271/L1110657.jpg" data-mid="79021903" border="0"  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/&#62;&#60;img width="5858" height="3909" width_o="5858" height_o="3909" data-src="https://freight.cargo.site/t/original/i/10d6d8483abca046101a12bc481ba6160c006d1b7b741339fe1fc5bfb60257f9/L1110766.jpg" data-mid="79023342" border="0"  src="https://freight.cargo.site/w/1000/i/10d6d8483abca046101a12bc481ba6160c006d1b7b741339fe1fc5bfb60257f9/L1110766.jpg" /&#62;&#60;img width="5761" height="3844" width_o="5761" height_o="3844" data-src="https://freight.cargo.site/t/original/i/b6c16d76b6c2183bd2a59f2e0b5c4e34cb88f0000b71c7aed89e56c1fd07da2b/L1110770.jpg" data-mid="79023306" border="0"  src="https://freight.cargo.site/w/1000/i/b6c16d76b6c2183bd2a59f2e0b5c4e34cb88f0000b71c7aed89e56c1fd07da2b/L1110770.jpg" /&#62;&#60;img width="2000" height="1335" width_o="2000" height_o="1335" data-src="https://freight.cargo.site/t/original/i/c577708ea2196800ee030c7c0dc495a1a6df9d2447355904b265ce90e38b5074/L1110685.jpg" data-mid="79023390" border="0"  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&#60;img width="10361" height="14717" width_o="10361" height_o="14717" data-src="https://freight.cargo.site/t/original/i/ba53984c7e6d09e1909e73865b3c71578c3e5c4d2d5368cda543d778b3d57700/NVD-Pinkus-TPortrait.jpg" data-mid="78682664" border="0"  src="https://freight.cargo.site/w/1000/i/ba53984c7e6d09e1909e73865b3c71578c3e5c4d2d5368cda543d778b3d57700/NVD-Pinkus-TPortrait.jpg" /&#62;





ARTIST BIOGRAPHIES:




	
		
		
	
	
		
			
				
					
Edourd NG (b. Paris, FR) received a Master of Fine Arts in sculpture from the Pratt Institute in 2018. NG’s work has been
the subject of solo and group exhibitions: [Un]Real curated by Louis Stefanii, DETOUR x NICOLETTI contemporary, New
York; Set For Life, Thesis show, Steuben Gallery, New York, DETOUR x AFRICANA Art Foundation in Los Angeles; Social
Photography VI, Carriage Trade, New York; Graduate Fine Arts 18, The Rubelle &#38;amp; Norman Schafler Gallery, New York; S.E.P curated by Mira Dayal, Pfizer building, New York; Two-Ness, Dekalb Gallery, New York (USA). Selected public work:
Punctuation 1, Beverly Hills gardens, Los Angeles.

					
Laurent Lawson (b. Paris, FR) holds a Bachelor of Arts in Film from Cal State Northridge. He is currently working on a
documentary dealing with malnutrition and social oppression in Watts, CA. His new short film Zenchi premiered at DETOUR
x AFRICANA Art Foundation during Frieze Los Angeles 2020.

				
			
		
	

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PRESS RELEASE:

The Newsstand Project is pleased to
present NEW TARGETS, a project by the
aritsts Edouard NG and Laurent Lawson
under the name NIL VAN DAF. The event
will be held on Saturday, August 1st from
3:30-5:30pm.

					
Edouard and Laurent were arrested in
downtown Los Angeles during the protests
that erupted across the world in response
to the murder of George Floyd. NEW
TARGETS is the artists’ expression of the
social movement against police brutality
toward Black people. With the two plywood
installations and gratti tools provided,
the artists have created a space for
attendees to vocalize their own responses
to the current political calamity.
</description>
		
	</item>
		
		
	<item>
		<title>ADAM MILLER AND RYAN SCHNEIDER</title>
				
		<link>https://thenewsstandproject.net/ADAM-MILLER-AND-RYAN-SCHNEIDER</link>

		<pubDate>Wed, 15 Jul 2020 18:54:44 +0000</pubDate>

		<dc:creator>The Newsstand Project</dc:creator>

		<guid isPermaLink="true">https://thenewsstandproject.net/ADAM-MILLER-AND-RYAN-SCHNEIDER</guid>

		<description>

BACK

 







The Newsstand Project
Adam D. Miller and Ryan Schneider
Calling All DestroyersJuly 11, 2020 - July 25, 2020Drive-by exhibition3:30 - 5:30pm




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&#60;img width="3500" height="2625" width_o="3500" height_o="2625" data-src="https://freight.cargo.site/t/original/i/92e15113e124b17e397e6effcc6124ad1eb04f178fc251ccb7c1d52dc46a877b/P0020624-1v2.jpg" data-mid="79020934" border="0"  src="https://freight.cargo.site/w/1000/i/92e15113e124b17e397e6effcc6124ad1eb04f178fc251ccb7c1d52dc46a877b/P0020624-1v2.jpg" /&#62;&#60;img width="2625" height="3500" width_o="2625" height_o="3500" data-src="https://freight.cargo.site/t/original/i/e85adf34d9b9117b462b2f4f0bb36da429c2b5416a481ef6a8ec1e734efa94ac/P0020631v2.jpg" data-mid="79021018" border="0"  src="https://freight.cargo.site/w/1000/i/e85adf34d9b9117b462b2f4f0bb36da429c2b5416a481ef6a8ec1e734efa94ac/P0020631v2.jpg" /&#62;&#60;img width="2619" height="3500" width_o="2619" height_o="3500" data-src="https://freight.cargo.site/t/original/i/71bda42130d011ac902fd897e8b9106f64bce7f20850f60be906943155adde10/P0020636v2.jpg" data-mid="79020983" border="0"  src="https://freight.cargo.site/w/1000/i/71bda42130d011ac902fd897e8b9106f64bce7f20850f60be906943155adde10/P0020636v2.jpg" /&#62;&#60;img width="3622" height="5000" width_o="3622" height_o="5000" data-src="https://freight.cargo.site/t/original/i/c65fd56c855176608ae668ad821463e55966f411cda0a1b1bf2f0583af7c2dac/Miller--Adam-D.---AMi20.02.01---Untitled-Psychoquilt---Res300framed.jpg" data-mid="77493805" border="0"  src="https://freight.cargo.site/w/1000/i/c65fd56c855176608ae668ad821463e55966f411cda0a1b1bf2f0583af7c2dac/Miller--Adam-D.---AMi20.02.01---Untitled-Psychoquilt---Res300framed.jpg" /&#62;
&#60;img width="3616" height="5000" width_o="3616" height_o="5000" data-src="https://freight.cargo.site/t/original/i/08000f28e4742f2c801a127755c1ee800b1d86211bd9f4156ab32cc45b81c8fe/Miller--Adam-D.---AMi20.02.02---Untitled-Psychoquilt---Res300framed.jpg" data-mid="77493806" border="0"  src="https://freight.cargo.site/w/1000/i/08000f28e4742f2c801a127755c1ee800b1d86211bd9f4156ab32cc45b81c8fe/Miller--Adam-D.---AMi20.02.02---Untitled-Psychoquilt---Res300framed.jpg" /&#62;&#60;img width="3637" height="5000" width_o="3637" height_o="5000" data-src="https://freight.cargo.site/t/original/i/6d20458a9725985acaaecde597956197e2b2a85219c1efe844c0efd36b5c5093/Miller--Adam-D.---AMi20.02.03---Ultraman---Res300framed.jpg" data-mid="77493807" border="0"  src="https://freight.cargo.site/w/1000/i/6d20458a9725985acaaecde597956197e2b2a85219c1efe844c0efd36b5c5093/Miller--Adam-D.---AMi20.02.03---Ultraman---Res300framed.jpg" /&#62;&#60;img width="3337" height="5000" width_o="3337" height_o="5000" data-src="https://freight.cargo.site/t/original/i/21b0c95fd1833643c6fa16c914b7e15d7ec1ed497e5027e9c2de860dfe60a30b/Schneider--Ryan---RyS19.10.07---Untitled-view-1-of-4---Res300.jpg" data-mid="77493811" border="0"  src="https://freight.cargo.site/w/1000/i/21b0c95fd1833643c6fa16c914b7e15d7ec1ed497e5027e9c2de860dfe60a30b/Schneider--Ryan---RyS19.10.07---Untitled-view-1-of-4---Res300.jpg" /&#62;&#60;img width="3613" height="5000" width_o="3613" height_o="5000" data-src="https://freight.cargo.site/t/original/i/4d5e1f1a1815e96f91fd5f3f69ce50a28debf8970ada077477c3181167c0c090/Schneider--Ryan---RyS19.10.01---Laughing-heads-view-1-of-4---Res300.jpg" data-mid="77493809" border="0"  src="https://freight.cargo.site/w/1000/i/4d5e1f1a1815e96f91fd5f3f69ce50a28debf8970ada077477c3181167c0c090/Schneider--Ryan---RyS19.10.01---Laughing-heads-view-1-of-4---Res300.jpg" /&#62;&#60;img width="3562" height="5000" width_o="3562" height_o="5000" data-src="https://freight.cargo.site/t/original/i/e7f9d48ca0215815125811dbc6ecde7866a1b5fe970992ff2c699ee2dd5cc99a/Schneider--Ryan---RyS19.10.03---Torso-view-1-of-4---Res300.jpg" data-mid="77493810" border="0"  src="https://freight.cargo.site/w/1000/i/e7f9d48ca0215815125811dbc6ecde7866a1b5fe970992ff2c699ee2dd5cc99a/Schneider--Ryan---RyS19.10.03---Torso-view-1-of-4---Res300.jpg" /&#62;









ARTIST BIOGRAPHIES:



ADAM D. MILLER (born 1982, Bellevue, WA) received a Master of Fine Arts from the Art Center College of Design in 2008 and a Bachelor of Arts from the University of California, Sacramento in 2005. Miller’s work has been the subject of one and two-person exhibitions at Kantor Gallery (2020), Southfield w/ Nora Shields, Detrout, MI (2018), The Pit II w/ Devon Oder, Los Angeles, CA (2016), O.N.O. Los Angeles, CA (2015), ROCKSBOX Contemporary, Portland OR (2015), and Steve Turner Contemporary, Los Angeles (2012). In 2012 he was selected as one of ArtReview’s “future greats.”

RYAN SCHNEIDER (b. Indianapolis, IN) holds a BFA from The Maryland Institute College of Art. Recent solo exhibitions include Split Spirits at Over the Influence, Los Angeles, No Filter Eden at V1 Gallery, Copenhagen, and Mojave Maskas at The Schneider Museum of Art, in Ashland, Oregon. Recent group exhibitions include Hope and Hazard: A Comedy of Eros curated by Eric Fischl at The Hall art Foundation in Reading, VT, The Birds, with V1 Gallery at the CHART art fair, Copenhagen, and Natural Selection at The Hole, NYC.
-----

PRESS RELEASE:
The Newsstand Project is pleased to present&#38;nbsp;Calling All Destroyers, a two-person exhibition of drawings by Adam D. Miller and sculptures by Ryan Schneider running from July 11th through July 25. An opening reception will be held on Saturday, July 11th from 3:30-5:30pm.



The drawings also function as a specific testament to memory. As Miller continuously engages this story over a period of many years, the forces&#38;nbsp;of erosion which act upon his understanding of the past interact with the creative ones of memory formation. Each drawing therefore embodies this balancing act between two opposing, unstoppable, and temporally contingent processes.

Ryan Schneider’s roughly carved wood and oil sculptures (he either shapes them with a chainsaw or burns them), in addition to an aesthetic resemblance to Miller’s drawings, act as a physical representation of this creation/destruction duality. The reductive nature of wood-carving stands in contrast to the additive one of coloring. Schneider cuts-out facets and carves-out textures from a block of wood and subsequently applies&#38;nbsp;and recalls primitive, totemic objects. The artist describes the results as possessing an ‘alien’ element and a ‘War of the Worlds vibe.’

Miller often discusses the writings of Carl Jung, especially the ideaof archetypes—‘universal, archaic patterns and images that derive from the collective unconscious and are the psychic counterpart of instinct.’1 The happy convergence of the work of Miller and Schneider stands as a demonstration of this mystical and as of now, untestable construct.

1. Feist J, Feist GJ, (2009) Theories of Personality, New York New York; McGraw-Hill.&#38;nbsp;
</description>
		
	</item>
		
		
	<item>
		<title>THE ART GORGEOUS - EMMA STERN</title>
				
		<link>https://thenewsstandproject.net/THE-ART-GORGEOUS-EMMA-STERN</link>

		<pubDate>Mon, 08 Jun 2020 20:00:44 +0000</pubDate>

		<dc:creator>The Newsstand Project</dc:creator>

		<guid isPermaLink="true">https://thenewsstandproject.net/THE-ART-GORGEOUS-EMMA-STERN</guid>

		<description>

BACK

 







The Art Gorgeous x The Newsstand Project
Emma Stern
Slow FadeJune 11, 2020Drive-by exhibition12 - 2pm




-----



&#60;img width="3500" height="2625" width_o="3500" height_o="2625" data-src="https://freight.cargo.site/t/original/i/4ab83b1512464dc084669986828c9efd675f2b4cebdafd84ac8f5a678da42d45/P0018714.jpg" data-mid="75089290" border="0"  src="https://freight.cargo.site/w/1000/i/4ab83b1512464dc084669986828c9efd675f2b4cebdafd84ac8f5a678da42d45/P0018714.jpg" /&#62;&#60;img width="3500" height="2625" width_o="3500" height_o="2625" data-src="https://freight.cargo.site/t/original/i/dc9fbf6f8a1d52d731ed61dfd5a772f47bffced8c19275820df69391a5b73b95/P0018707.jpg" data-mid="75089351" border="0"  src="https://freight.cargo.site/w/1000/i/dc9fbf6f8a1d52d731ed61dfd5a772f47bffced8c19275820df69391a5b73b95/P0018707.jpg" /&#62;&#60;img width="3500" height="2625" width_o="3500" height_o="2625" data-src="https://freight.cargo.site/t/original/i/fe55a1fcd4a927c36fa00da8852a3238fce459396ceb052aa1a066cae082cc9f/P0018711.jpg" data-mid="75089378" border="0"  src="https://freight.cargo.site/w/1000/i/fe55a1fcd4a927c36fa00da8852a3238fce459396ceb052aa1a066cae082cc9f/P0018711.jpg" /&#62;&#60;img width="2625" height="3500" width_o="2625" height_o="3500" data-src="https://freight.cargo.site/t/original/i/03e9cb0a2e5bce9e78802f72d57a8b5f7ee5e00c48c375cf6f2c5a680513f99d/P0018717.jpg" data-mid="75089401" border="0"  src="https://freight.cargo.site/w/1000/i/03e9cb0a2e5bce9e78802f72d57a8b5f7ee5e00c48c375cf6f2c5a680513f99d/P0018717.jpg" /&#62;&#60;img width="3500" height="2625" width_o="3500" height_o="2625" data-src="https://freight.cargo.site/t/original/i/c0bb7ea8bcb538d9b52c07cbe7afa2f461c46cfc045dba4ab3061a69584c8c4b/P0018712.jpg" data-mid="75089406" border="0"  src="https://freight.cargo.site/w/1000/i/c0bb7ea8bcb538d9b52c07cbe7afa2f461c46cfc045dba4ab3061a69584c8c4b/P0018712.jpg" /&#62;&#60;img width="3500" height="2625" width_o="3500" height_o="2625" data-src="https://freight.cargo.site/t/original/i/e7db54a11f37f2a77ebbe133703250d3de50bbdc3cf5f7cfd061c08c7f481548/P0018715.jpg" data-mid="75089446" border="0"  src="https://freight.cargo.site/w/1000/i/e7db54a11f37f2a77ebbe133703250d3de50bbdc3cf5f7cfd061c08c7f481548/P0018715.jpg" /&#62;









ARTIST BIOGRAPHY:



Emma Stern&#38;nbsp;(born 1992, New York, NY) lives and works in Brooklyn, NY. She graduated from the Pratt Institute with a BFA in 2014.
-----

PRESS RELEASE:
The Newsstand Project is proud to present Slow Fade, an exhibition of new work by Emma Stern. To adhere to restrictions due to Covid-19, Slow Fade will be a drive-by exhibition at the Newsstand Project, located at the corner of Kings Rd adjacent to 8361 Beverly Blvd, Los Angeles, CA 90048 between 12-2pm on June 11, 2020.


This selection of work, created while in self-isolation, is a continuation of the artist’s deep commitment to traditional painting and drawing techniques, coupled with her preoccupation with virtual female bodies. The resulting imagery is a kind of contemporary portraiture made possible by technology. By using 3-D software intended for video game developers to create customized, virtual portrait subjects, Emma’s work emphasizes and exacerbates the apparent inclination towards pornographic (or at least porn-adjacent) representations of women in 3-D communities and gaming culture. Of particular interest to Emma is the way in which the preferences, biases and predispositions of human developers appear by proxy in the software they create. As our virtual selves become ever-more inextricable from our physical selves, Emma questions how these preferences are imposed on virtual female bodies within the largely male-dominated arena of software and technology.


Emma’s formal background in figuration is deployed when she transposes the virtual to the actual through paint and other traditional media. The resulting images play on mysteriously familiar tropes. They borrow heavily from the visual vocabulary of online fandom, fursonas and 3-D fetish community message boards, and veer quickly into the domain of fantasy, wherein
erotic, angelic, cartoonish and mischievous young women occupy virtual spaces in which otherworldly and realistic elements coexist.


The selection of works in Slow Fade touch on persistent themes in Emma’s work including escapism, subversion, the push/pull of defiance and authority, and a unique kind of off-brand feminism vaguely reminiscent of pop-up ads of the "You Won't Last 5 Minutes in This Game” variety.

</description>
		
	</item>
		
		
	<item>
		<title>MICHAEL HARNISH</title>
				
		<link>https://thenewsstandproject.net/MICHAEL-HARNISH</link>

		<pubDate>Fri, 24 Jan 2020 18:35:15 +0000</pubDate>

		<dc:creator>The Newsstand Project</dc:creator>

		<guid isPermaLink="true">https://thenewsstandproject.net/MICHAEL-HARNISH</guid>

		<description>

BACK

 





Michael Harnish
Recent WorkJanuary 25 - February 8, 2020

The Newsstand Project
is proud to partner with theTel Aviv Museum of Art
American Friends in presenting
this exhibition.

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ARTIST BIOGRAPHY:



Michael Harnish (born 1982, Los Angeles, CA) holds a B.A. from the Laguna College of Art and Design. Recent exhibitions include Effervescent, Merchant Gallery; Recent works on display, Departamento; Flower Polaroids, Salt Gallery, Multiples Multiples Multiples, Oof.
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PRESS RELEASE:
The Newsstand Project is pleased to present Recent Work by Michael Harnish. The show will open on January 25th and run until February 8th, by appointment only. The opening reception will be held on Saturday, January 25th, from 11am-1pm.


In his new body of work, Harnish cuts out and assembles photographs from contemporary and vintage fashion magazines and juxtaposes them alongside imagery from botanical books to generate relationships across seemingly distant pictorial genres. Hard, gestural cuts and tears often contrast with tonal gradations in the source material as well as Harnish’s deliberately haphazard compositional moves. Harnish also demonstrates a sensitivity to color and form through the use of muted pastel tones alongside passages of fluorescent, saturated color.


As a Los Angeles native, Harnish’s work exhibits what he calls a “California romanticism”—a specific conflation of semi-wild and photogenic landscapes interrupted by a plethora of large, loud street advertisements. Various flora are jutted against defined lines; torn edges recall tattered street posters. 
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